Wednesday, February 16, 2022

The Busyness of my Literary Legacy

 I spent hours in Barnes and Noble with my 2 sisters. Orland is a 2 hour flight from and 25 miles through varied Chicago suburbs. In order to celebrate a delayed 50th, I gave my sister the freedom to choose books she loved. I chose books that sat in BHM displays. She chose fiction. I chose non-fiction. She chose self-help. I chose Black women writers writing about themselves. My self-help looks different, but is the same. My youngest sister stood and watched. She's not a reader. She's waiting for this to be over.

Before I boarded the plane, I'd already revised sections of my story. I listened to the characters. I delved into their lives. I thought I was an assignment behind. It seems I was far more prepared for this week's class. My classmates didn't understand how I was painting the picture. They had to hear it.

And, then, my other professor lost a mentor. We've no class this week. Mourning take precedence. Another Young, Gifted, and Black Woman Writer has exhausted herself until transition. She wrote with people I've read or admired. She developed an MFA that redefined. In reading the interview between Valerie Boyd and Selaj Shah, I saw myself. I saw my manifested dreams and wishes comfortably chatting in a cadence they both understood. Who you read influences how you write.

Maya, Audre, Nztake, Nikki, Lorraine, James, Martin, Malcolm, Toni, Alice, Cornel, J. California, Langston, LeRoi. If I had to think about the literary lineage, Maya and Martin are more grandparents. I would be the love child of Cornel West and Audre Lorde who spent every holiday at Uncle Jimmy's house, Aunties Toni, Alice, and Nikki did my hair. They dressed me and let me be fly. Great Uncle Malcolm and Great Uncle LeRoi lived on the same block as Auntie Nztake. They popped up whenever. J. California was that cool cousin I hadn't seen since the last family reunion. Lorraine is my favorite big cousin. She lived how I wanted, smoking cigarettes over typewriters. We all understood our existence as political, radical, and a challenge. We provide varied safe spaces where Black is. It's excellence isn't limited to academic expressions. That only validates what we already know. God is all up through here. My pen is merely an extension.

But then, I get to play with Natasha and Kiesi, under the watchful eye of Jackie Shelton Greene. Dasan Ahanu is the brother I never knew I didn't have. Kelly Rae is the sister I adopted on site. Jilly, Erykah, and Laryn are my DJs. Ray Manley teaches me to battle while B-rock brings me back to Bmore. Hip Hop is the cultural evolution of spoken word. Bars show up in museums and on the lake. LB makes the words work until the bag overflows. Main showed me my dance is enough. We are more than curators. We are chosen family. These are play cousins, chosen kin. 

My stories aren't luxuries. They manifest in Chicago cold. They fill pages of books I discover when I'm not bound by text. I pay in the freedom of twitter, following the gifts of Blackness that shine within a few characters. Revising is the work of the Gawds. Editing ain't nothing but Wisdom. To write is a privilege I cherish. It was illegal. I was illegal. And still I rise.

Thursday, February 3, 2022

Poetry isn't a microagression

A Gathering of writers

Brady bunch tile squared

looks like a Masters class

wading intersectionality

gasping for craft

inside the cannon

yet outside of familiar


A gathering of writers

examining voices 

they consume and shelve

purchasing bodies

of work

validated by prizes

and not presence.

Yet, I am here.


A gathering of writers

who never had to work twice as hard

to get half as far

they reside in varied privileges

with suburban sunsets

and off grid saviorism

they swill mugs full of words

expansive explanations

wrought with everything wrong.


The room is oozing with assumptions

mediocrity made payable in private loans

baited breathes are frosty

getting that colonialism smear

on class discussions

peer reviewed and praised

The room is oozing with assumptions

usurping stories for the remix


fucking up the cadence

with defiance and defense

stepping over real living

with a bullhorn

painted in by an Adam

who's genes can be traced to Africa's Eve.


A gathering of writers

waves a brave flag

contains safety in the exchanges

Lowering the ickiness

to taste like a sour patch kid

or a mouthful of poprocks


A gathering of writers

crackles and pops

wrestling with perception

roping the steer

bred to forget it's girth 

and weight;

ink and soil and bull's skin is Black.